Fashion Photography, Some History

Magazines such as Allure, Vogue and Vanity Fair are known to display some of the best fashion photography that you will ever come across. Photography is a way of showcasing models wearing the trends in clothes, jewelry, sunglasses, hairstyles, necklaces, shoes and other items. The first known record of fashion photography was the portfolio of the Countess de Castiglione, Virginia Oldoini in 1856. The world's first fashion photographer was Adolphe Braun, as he was the one responsible for shooting the first fashion model. Spark and color were added to fashion magazines once halftone printing was introduced to the fashion photography industry. The first magazines to make use of fashion photography were the French magazines Les Mode and La Mode Practique.

At first, fashion photography consisted of staging the shoots in natural environments using natural poses. Baron Adolf de Meyer was the person who first developed and adopted this practice. In the first part of the 20the century, the magazines that were the leaders were Harper's Bazaar and Vogue. The moguls of the industry still pay tribute to the likes of Yva, Edward Steichen and Cecil Beaton, and George Hoyningen Huene. These were the individuals who help to establish fashion photography in Europe. Irving Penn, Richard Avedon and Martin Munkacsi made significant contributions after World War II.

A majority of the artists of earlier times deserted their adopted forms, and took on a more independent and natural style. 1936 was the year that models were first photographed at the beach in different poses, by Martin Munkacsi. After World War II, fashion photography became quite popular among young men who loved to hold a camera in their hands, and among young women who had the ideal body type of a fashion model. Today, fashion photography has evolved into a life of its own. Models and photographers are now seen as international celebrities, and enjoy the lifestyle of the rich and glamorous. But make no mistake this it is no easier for the photographer then it is the models, only a small percentage of those trying to make it actually succeed.

Fashion can be showcased in various avenues. Some of these well appreciated and well paid avenues include celebrity portraiture, art photography and fashion advertising. Fashion moguls such as agent Gloria Cappelletti and photo editor Clio McNicholl both agree that the fashion photography industry is quickly evolving.

For anyone wanting to become a fashion photographer it is important to keep up on trends and aesthetics of the industry. Study the images in the top fashion publications and try to understand the images and what attracts editors to them. Its interesting to look back at some of the really great photographers from a few decades ago. Interesting that some of the fashion photographers appear to have disappeared. The ones still shooting are the ones that accept change and reinvent their style all the time, fashion photography can become dated almost as quickly as the fashions they showcase.

As a professional photographer, apart from your camera, the most important tool that you can own is your portfolio. Your portfolio is actually your gateway to the industry. There are certain guidelines that you must follow when submitting your portfolio to a fashion editor. Once you are able to follow these guidelines correctly, you will on your way to becoming one of the world's renowned fashion photographers.

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The Power of Fashion Photography

In 1856 Adolphe Braun published photographs of Countess di Castiglione, an Italian courtesan known to be a mistress of Emperor Napoleon III. The Countess commissioned photographs of herself in various signature poses, often fully garbed in court attire. The photographs are widely viewed as the first examples of fashion photography with Countess di Castiglione as the first fashion model. At this point in history photography was emerging as an exciting new way to document events. More creative minds saw the artistic potential.

The Countess saw an opportunity to feed her narcissistic needs by showing, sharing and loving her apparent rare beauty. She used her feminine instinct for flattering dress and sensual movements as a tool in creating groundbreaking images for Adolphe Braun (and others) to photograph. The rush of adrenaline the Countess must have felt upon viewing the photos must have been intoxicating, as she spent her entire personal fortune on the pursuit of re-creating moments in her life.

The story of the Countess di Castiglione is very indicative of the power of photography and its effects on the subject to be photographed. Narcissistic or not, it is quite an experience to see oneself from a different point of view and in a flattering manner. Our self-esteem is heightened, our ego becomes even slightly inflated and perhaps we find ourselves walking a little taller. Let us turn to the photographer. The person behind the camera is as necessary as the subject. He or she knows how to manipulate the subject, either physically or emotionally in order to achieve that one single moment of perfection and capture it on film.

Even with technology, there is a great amount of skill involved. Beyond lighting, location and coloring, there are the rare and hidden skills of making your subjects feel at ease, bringing out the best in them and finding their inner spark. Then to be able to bring it all together in a breathtaking series of photographs is truly an art. Like any artist, there is an intensely powerful appreciation for one's work. He or she has taken a person, some clothing and a setting, and transformed it into an image that speaks a thousand words in a thousand different languages to millions of people - without making a sound. That is a powerful talent.

Now let us look at the influence of fashion photography on the world. In 1856, the photos of Countess di Castiglione created a sensation because they were risqu? for the era and they presented a look into court life that most people would never see. It is likely that some women of means began to imitate the fashion and manner of the Countess after seeing the photos - much like today. However it wasn't until the early 1900's that technology allowed fashion photographs to be widely published in magazines. At first they were published as a means of selling clothing, and presented the items as one dimensional objects.

In 1911 a photographer by the name of Edward Steichen was dared by a magazine publisher to attempt promoting fashion as an art. Steichen took up the challenge and created a collection of shots that presented the garments in a manner that gave the viewer a feeling for their quality and construction. Models posed in natural environments and relaxed poses. The impact of this new art form was widespread. European, British and American fashion photographers began using this new artsy form of photographing clothing - much to the delight of garment manufacturers. As World Wars came and went, styles changed, materials and fabrics became scarce, but photography as it was applied to fashion became more creative. Political interests began to enter fashion photography as a way to reach to different age groups and spread propaganda.

Today, fashion photography is not only a platform for sales and political agendas, it is also for empowering gender groups. Children and teens who view fashion as their way to express themselves take example from fashion photography. The photos on a billboard or in a magazine are a part of the norms and ideals these young minds build. Plus, because acceptance of their inner selves is as much a part of life as reading and writing, the images they see need to help foster that acceptance. Therefore fashion photography has an incredible responsibility not only to industry, but to generational ideals.

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